Wednesday, December 14, 2011

Home Stretch

Thanks to all for your excellent work in rehearsal this week. It is heartening to see so many eyes out of the book and hear such engaged music making! Please help me and section leaders get us on and off stage efficiently by being on time and helping us keep track of everyone.
We will rehearse on 12/20 and 1/3 for our twelfth night concert (1/6). Then on to Mozart and SOUL!

Sunday, December 11, 2011

Practice!

And, while I'm here, don't forget to practice Bach and Handel for Monday night.
And our holiday rep for Tuesday Orleans Club.
We will have a couple of rehearsals to polish that rep (and the stuff we haven't performed yet) for our Twelfth Night concert on January 6.

Vowels Control Your Brain

Of course, we singers already know this - why a passage sounds different when sung like vanilla ice cream or red velvet cake. But it's also the key to good singing (technique) and communicating with our listeners.

If you want to see the illustrations and some prettier formatting, go to:

http://www.npr.org/blogs/krulwich/2011/12/07/143265882/vowels-control-your-brain?ft=3&f=111787346&sc=nl&cc=es-20111211

Vowels Control Your Brain

Here's something you should know about yourself. Vowels control your brain.


Robert Krulwich/NPR
"I"s make you see things differently than "O"s. Here's how. Say these words out loud:

Bean
Mint
Slim
These "I" and "E" vowels are formed by putting your tongue forward in the mouth.

That's why they're called "front" vowels.

Now, say:

Large
Pod
Or
Ought

Robert Krulwich/NPR
With these words, your tongue depresses and folds back a bit. So "O", "A" and "U" are called "back" of the throat vowels.

OK, here's the weird part.

When comparing words across language groups, says Stanford linguistics professor Dan Jurafsky, a curious pattern shows up: Words with front vowels ("I" and "E") tend to represent small, thin, light things.

Back vowels ("O" "U" and some "A"s ) show up in fat, heavy things.

It's not always true, but it's a tendency that you can see in any of the stressed vowels in words like little, teeny or itsy-bitsy (all front vowels) versus humongous or gargantuan (back vowels). Or the i vowel in Spanish chico (front vowel meaning small) versus gordo (back vowel meaning fat). Or French petit (front vowel) versus grand (back vowel).

Try this yourself.


Robert Krulwich/NPR
If I make up two words, "Frish" and "Frosh" and tell you each is about to become a new ice cream, which of the two seems richer, heavier?

For me, "Frosh," (with the back vowel "o") seems creamier. I don't know why. Just feels that way. And not just to me. A study in the Journal of Consumer Research found most people imagined Frosh creamier than Frish.

Here's another example. Richard Klink, a marketing professor at Loyola College in Maryland created a test using two sets of names. They were nonsense names, chosen at random:

Nidax vs. Nodax and Detal vs. Dutal

And then, slapping these names on various imaginary products, he asked a group of people:

Which brand of laptop seems bigger; Detal or Dutal?
Which brand of vacuum cleaner seems heavier, Keffi or Kuffi?
Which brand of ketchup seems thicker, Nellen or Nullen?
Which brand of beer seems darker, Esab or Usab?
"In each case," reports Professor Jurasky, "the participants in the study tended to choose the product named by back vowels (dutal, nodax) as the larger, heavier, thicker, darker product. Similar studies have been conducted in various other languages."

Jurasky then wondered, Do businesses know this about vowels?

For example, would an ice cream company (looking to create a rich, creamy and satisfying product,) and a cracker manufacturer, (looking to make something, thin, light and crackily) use different vowels?

He thought they might, so, on his blog, he writes:

To test the hypothesis I downloaded two lists of food names from the web. One was a list of 81 ice cream flavors that I constructed by including every flavor sold by either Haagen Dazs or Ben & Jerry's. The second was a list of 592 cracker brands from a dieting website. For each list, I counted the total number of front vowels and the total number of back vowels (details of the study are here). The result, shown in the table [below], is that ice creams names indeed have more back vowels and cracker names have more front vowels.


Ice cream companies mix in lots of "O"s and "A"s, says Jurasky, like...

Rocky Road, Jamoca Almond Fudge, Chocolate, Caramel, Cookie Dough, Coconut

But the cracker people stick pretty much to "E"s and "I"s.

Cheese Nips, Cheez It, Wheat Thins, Pretzel thins, Ritz, Krispy, Triscuit, Thin Crisps, Cheese Crisps, Chicken in a Biskit, Snack sticks, Toasted chips, Ritz bits

But Why?

Why do we associate "front" vowels with small, thin light things and "back" vowels with big, solid, heavy things?


Robert Krulwich/NPR
Two linguists, John Ohala and Eugene Morton proposed that over evolutionary time, humans instinctively associate pitch with size. Lions, bears, seals make low sounds, canaries, mice, rabbits higher sounds. Not always, but enough of the time that when we hear a low frequency (even in an "O" or a "U") we may think big and heavy, whereas higher frequencies (even in "I's and "E"s) suggest small and light.

The Origin Of The Smile?

Dan Jurasky goes even further. Scholars have noticed, he says, that when people say "Boo!", they form an o-shape with their lips and mouth, and look aggressive and a little dangerous.

But use the "front" vowels, like "I" and "E", your mouth and lips will widen into a kind of smile. Why do we say "cheese" when it's time to take the picture? Why does the word smile contain an "I"? These front vowels, he says, are the "smile" vowels. One day they may even explain why we smile, but in the meantime, the big news is that it's old fashioned to think of vowels as just sounds.

They are more than that: they are little strings that pull on our brains and it turns out, "I"s pull us to different places than "O"s.

Who knew?

Thanks to blog reader and reporter Peter Smith of Good Magazine for suggesting this story.

Sunday, December 4, 2011

Bach tempos and Sit/Stand cues (from CMP)

1 Magnificat quarter 94
4 omnes quarter 98
7 fecit quarter 92
11 sicut half (not quarter!) equal 76
12 Gloria always double dot Gloria bars 1 to 19 quarter 56, from 20 on quarter 94

Movements: 1,2,A,3,4,5,B,6,7,C,8,9,D,10,11,12

The chorus stand and sit:

Start standing
Sit after 1
SELU stand after 2, sit after A
All stand after 3
SCNO sit after 4 / SELU remain standing - B will attacca after 5
SELU sit after B
All stand after 6 remain standing thru C which is attacca after 7
All sit after C
All stand after 10 and stand until the end